1.11.2012

Pretentious Treemont Artists

The group I draw Friday night portraits with is featured in coolcleveland.com. My drawing for Bella was featured in the article.
http://www.coolcleveland.com/blog/2012/01/pretentious-tremont-artists/

1.10.2012

Saturday Life Drawing (WIP)

Charcoal

1.07.2012

12.06.2011

Friday Night Portraits

Charcoal and Conté

11.13.2011

Friday night portrait

Conté, charcoal on pastel paper.

11.08.2011

Friday night portrait

Was so focused on the face, only now I realized how disproportionate the head is compare to the shoulder. Live and learn.

10.27.2011

Friday night sketches

Conté and charcoal

9.16.2011

Friday night portrait - Steve

Conté, charcoal
Duration: about 1.5 hr

9.10.2011

Saturday Life Drawing - Samantha

Conte & Charcoal, duration: about 2-2.5 hr for both.


Friday Portrait - Alex

Conte & Charcoal. Duration: 1hr


8.14.2011

Literary Cafe Friday Sketches

Pastel & Charcoal. Roughly 2hr each.

7.30.2011

Friday night sketch

Pastel, 2hours.

7.16.2011

Friday Night Portrait

Conté on paste paper.

7.02.2011

Friday night portrait

Black Conte. 1.5hr

6.26.2011

Friday night portrait - Rachel

Watercolor, 2hrs

6.23.2011

Laid down

Medium: Vine charcoal.

6.11.2011

Literary Sketch

This one turns out to be quite a disaster, first the color, then the proportion. Live and learn...
Medium: Watercolor

5.21.2011

Saturday Life Drawing

In the past, it seems all the mediums I tried are pretty easy to handle. Whether it's watercolor, oil pastel, oil painting or digital paintings, I was able to just pick one up and use it without much of a struggle. Recently, I realized not all mediums behave the same (duh!). Conte and dry pastels are two that I struggled to get used to. They don't respond to pressure the same way, they don't blend the same way, and they are hell of a mess.
Oh well, next time I'll try them with a dry brush instead.
Pastel. 3hr

Friday Night Portrait - Cynthia

Watercolor, 2.5 hours

5.17.2011

More detailed sketches and more common sense

I'm always aware that I need to put down more details in the initial sketch, to make the coloring easier, and to avoid forgetting certain things later. I had always kept that in mind when I'm sketching a character, and completely ignored it for landscape. And now I'm being reminded why a better detailed sketch is important.

My common sense starts to kick in as I lay down the darker shades:

1. Who mows the lawn on these hills? no one. So instead of little grass blades that barely cover a person's ankle, I really should be drawing tall grass instead. Fortunately this was relatively easy to fix.

2. Watch the wind... yeah, the smoke is blown to the right, yet the grass stands tall and still. It's not so easy to fix this mistake now, I guess I'll just have to go with the excuse: wind is stronger on top of the hill.